Slip It In

Product Information

In a 1993 article for Spin which featured L7 on the magazine's cover, Renée Crist described L7 as "four of the funniest, meanest, strongest, coolest, most pissed-off women I know" and as "wild, rambunctious, spontaneous" with a stage show that "is a wash of buddy love, crowd working, and acrobatics". [11] a b c d e f g h Sideleau, Brandon (August 28, 2005). "Slip It In". Punknews.org . Retrieved August 5, 2018. It’s a big deal to get me out to a club to hear music, and some of that is because I’m very protective of my ears. I rely on them for work and for my joy of music. My husband is retired and is very busy playing golf most days. Things are generally pretty quiet around here.” Berman, Judy (September 29, 2017). "After 18 Years, How Do L7 Return? With a Song About Trashing Trump's Mar-a-Lago". pitchfork.com . Retrieved April 7, 2018.

Dos too was a marriage, in more ways than one. Itwas often like abattle, but the cool thing about that is that the battle comes across musically as something that works. In 1994, Gardner appeared in the John Waters film Serial Mom as part of the fictitious band "Camel Lips". [12] The Boston Phoenix February 06-12, 1998: Vol 27 Iss 6". Internet Archive . Retrieved April 18, 2022.I’m very into taking care of myself and exercising, so I like to power-walk most days,or I’ll do some laps at a local pool. I’m ahomebody, though. I don’t go to see gigs very much – it has to be something that Ireally want to see. People change and grow, or you’re on tour and exhausted, and you express one too many complaints about your discomfort. They just didn’t want to play with me any more, but I don’t think it was my playing that did it.” Gardner was born in Altus, Oklahoma [1] on August 1, 1960 [2] [3] to Anne B. Gardner. She had an older brother, Bob, [4] and grew up partly in Citrus Heights, California. [1] Gardner moved to Southern California in 1977. [5] She attended Orange Coast College in 1978 and studied physical anthropology and guitar. [5] In 1980, Gardner moved to Los Angeles. [5] Career [ edit ] At any given moment, I have 20 songs in some state of completion and process, whether it’s just an idea for a bassline to being somewhat complete Iwould try to interpret the story and capture its emotion in the basslines. These were some of my earliest explorations in recording just for the love of doing it. I went from Dr. Seuss songs when they were very young, all the way to Edgar Allan Poe as they got older.

Larkin, Colin (2007). The Encyclopedia of Popular Music (4thed.). Oxford University Press. ISBN 978-0195313734. Dos too was a marriage, in more ways than one. It was often like a battle, but the cool thing about that is that the battle comes across musically as something that works The album was originally issued as a cassette-only release, almost simultaneously with Slip It In. In 1998, Greg Ginn remixed the album for CD reissue. Original video and consolidated interviews with Gardner are included in the documentary L7: Pretend We're Dead, released in 2016 and directed by Sarah Price. [15] The film was nominated for a VO5 NME Award for Best Music Film. [16]The album was recorded at the Stone nightclub in San Francisco, CA. [11] Critical reception [ edit ]

Generally speaking, I’m a sound editor, but sometimes I’m a dialogue editor or supervisor. The roles change depending on the project. Ialso work in ADR, which is automatic dialogue replacement when there’s something in a dialogue that isn’t working.This is partly why the album has taken so long, because I generally work aday job as well, so I have to make use of smallchunks of time and build on things. Once there’s a bass part forming the structure of asong, then I’ll either work on a second bassline, or I’ll imagine some sort of melody and sing it. But this is very much bass music written and sung by a bass player, not a singer.”