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Dead Men's Trousers (Mark Renton, 5)

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Not to mention, this new novel also directly takes place after the solo Begbie novel Blade Artist which feels like required reading now. Then there's that novel Glue, featuring characters such as the perverted Juice Terry and DJ N-Sign--who have also been in more novels. The parts with Begbie are also a huge improvement from the disappointing The Blade Artist. I respect Welsh for pulling off Begbie's transformation from a psychotic force of nature to a well known artist, loyal teetotaler husband and responsible father of two kids. He is still a psycho to people who try to mess with his family. I guess Welsh was trying to make the point that truly great artists are not what they seem to be on the surface.

Dove se non in un romanzo un detenuto psicato può intortare la propria psicologa (ovviamente gran fica) fingere si essersi redento, sposarla, avere due figlie con lei pur rimanendo il solito folle psicato? What we are trading that for is years of entertainment, and I for one will take it. But I definitely understand if others aren't into this diluting of the "franchise." As said, I'm into it and I'm entertained.

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They were nice lads and the fact that they're in soldier uniform is constant proof that a nation state isnae a kind of construct if you urnae rich.

There are other problems. It’s still very male-focused, not to say misogynistic. It might be plausible to depict an entirely male friendship group of 1980s junkies, but Renton and Begbie now work in gender-balanced fields, and the women in the novel are almost exclusively trophies, victims, or whores. You can always tell the status of a Welsh character by the blondness and waist measurement of his girlfriend. For all the sound and fury about “neoliberal Christmas” (the subhead for part one), Renton and Begbie have become a cultural brand, safe and replicable.I loved Dead Men’s Trousers the first time around and after rereading Trainspotting just before rereading DMT, I loved it even more this time. Welsh non è autore per tutti, che sia lasciato a noi bastardi potenziali che lo abbiamo nominato portavoce. As Irvine Welsh fans know that these characters are voices for society’s problems. Corruption, Brexit, The Scottish referundum, capitalism , organ harvesting, materialism and prostitution are some of the themes that are expressed in Dead Men’s Trousers. However in the end, the true message is about the strength of friendship : no matter what happens, one will always defend their peers and that comes out clearly, especially in the conclusion. Carl’s been dragging his flight case ay records wi him, perspiring like a Thatcher Cabinet minister wi the education portfolio up for grabs, and looking dangerously red.

Because I read most of the books in this series before I joined Goodreads, I want to start with: I thought that Irvine Welsh's Trainspotting was an absolutely brilliant book – full of heart and laughs and subversive social commentary, amped up with a transgressive frisson and artfully dense dialect – and that Skagboys was a powerfully heartbreaking prequel. On the other hand, I found the sequel Porno to be campy and shallow, and the recent continuing saga of The Blade Artist to have been a disappointing betrayal of Welsh's world: what reader wants Begbie to be a buttoned-down straight citizen? Now with Dead Men's Trousers, we reconnect with the rest of the gang as they approach fifty years old, and as they jet around the world commenting on the evils of neoliberalism, Welsh seems to have become disconnected from everything that was subtle and engaging and true about his own characters; sure, people should grow up (and I'm glad none of the lads are skagboy jakeys anymore), and it's good to revisit these storylines and see how details from a few books ago have played out, but this book adds nothing to the furtherance of truth; there's no art here. Like his last few books Dead Men’s Trousers is a return to the Trainspotting/Glue universe and takes it’s cues Porno and The Blade Artist. Among the deeper themes presented herein would be the concept of death. So many funerals. The violence scenes are serious, with the feeling that it can lead to a permanent end at any time. And about the acceptance of it. A beloved old school character even passes, but I won't spoil by saying who. But everyone other than Spud is comparatively rich – most especially the Miami-based Welsh himself – and they all spend their time in pursuit of the “more” that will finally fill their empty spaces. Other than for the tying up of some old loose ends, Dead Men's Trousers is a fairly pointless read. Even so, every now and then, Welsh throws in an old school passage that made me smile:Welsh makes these amoral misadventures so propulsive, so joyfully awful, that you have to go with the flow…this roues’ romp is about as much fun as you can have between two book covers.”— The Times With Dead Men's Trousers, is Trainspotting a trilogy now? No, it's bigger than that. While indeed this is number three, after Porno (which was loosely "adapted" into the T2 film), there is also the Skag Boys prequel.

Begbie, as we learned from The Blade Artist, is outwardly apparently a reformed character and is now Jim Francis, artist and sculptor living in California with his wife and two young daughters. Mark Renton (Rents/Rent Boy) is now manager to a small stable of club DJ’s and spends his life on planes and in hotels, seeing to their every need. Replace ice … Whoa, man, no sae sure aboot that. Ice is pure natural like, well, it’s usually made artificially in fridges like, but in its natural state in the polar regions –While comparisons can be made to the first sequel novel Porno, which was about gentrification after coming home to the ol' scene, suddenly all our old friends are middle-aged and very successful. I suppose it has to do with the author's journey himself. But Begbie as a rich artist, Rents as a globe-trotting music manager, does it work? I don't know. Somehow, it does seem to diminish the brutality of our first impression all those years ago. At least Spud is still a loser. Gone are most of the things which made Welsh great in the first place - the original cultural references, the Scots dialect, the counter-culture/drugs scene, basically anything distinctively to do with contemporary Scottish life. Dead Men's Trousers, like The Blade Artist, feels extremely Americanised (or at least obviously written by an author who no longer spends his time with the people and places he writes about - someone who is out of touch, to say the least). I think this might be one of the bigger reasons why his more recent work fails to hit the mark. Dove se non in un romanzo, un barman asporta un rene ad un donatore ignaro seguendo un tutorial su youtube? Basically, Dead Men's Trousers is like episode 28 of the Irvine Welsh Literary Universe. Kind of like the MCU, but moderately more literate. And while this latest episode is no Endgame, it is thoroughly entertaining. There is a major plot arc starting from a drink spiked with MDMA powder, the consequences of which flow throughout the book and are truly but believably sordid. This brings in repressed sex addiction, gangster exploitation and the illegal organ trade. A dog reaching and chewing a human kidney is not convincing; has this dog got primate hands that can undo clasps? The plot skids on the bank of complete absurdity, but never quite falls in the pond.

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