Women on Top

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Admitting to anger is new for women. In the days of My Secret Garden, nice women didn't express anger. They choked on it and turned whatever rage they felt against themselves. In that brief time in the 1970s and the early 1980s, many women seemed to enjoy both sex and work. I wish I could recreate for those of you who are too young to have known those years -- or for those who have forgotten -- how genuinely exciting they were. It was called a sexual revolution, and we who took part in it were convinced that what we said and what we did were acts of sexual freedom that obliterated forever the guilt-ridden standards of our parents on which we'd been raised. Let me tell you how I came to this subject. In the late 1960s I chose to write about women's sexual fantasies because the subject was unbroken ground, a missing piece in the puzzle, and I loved original research. I had sexual fantasies and I assumed other women did too. But when I spoke to friends and people in the publishing world, they said they'd never heard of a woman's sexual fantasy. Nor was there a single reference to women's sexual fantasies in the card catalogues at the New York Public Library, the Yale University library, or the British Museum library, which carry millions upon millions of books -- not a word on the sexual imagery in the minds of half the world. The Power of Beauty, HarperCollins Publishers, 1996. Republished as Our Looks, Our Lives: Sex, Beauty, Power and the Need to be Seen, HarperCollins Publishers, 1999

In a post- 50 Shades of Grey world, a new audience is ready for Nancy Friday’s groundbreaking work on female sexual fantasies. Women on Top explores the changing face of sex and power dynamics through over 150 collected fantasies from real women. Today many young men tell me that the new woman is too frightening, demanding; she wants it all, indeed she may have it all. The poor boy, the beleaguered man -- I do not mean for a moment to minimize his ancient fear of women's unleashed sexual appetite. Its deepest roots lie in his female-dominated childhood, just as they did for his father and his father before him, a time when a woman had all the power in the world over his life and which he never forgets. The irony is that men feel it necessary to keep us "in our place" because they believe more in our power than we do. The answer is as old as ancient mythology: fear that women's sexual appetite may be equal to -- perhaps even greater than -- men's. In Greek myth, Zeus and Hera debate the issue and Zeus, postulating that women's sexuality outstrips men's, wins by bringing forward an ancient seer who had been in former lives both male and female. Initially the women I interviewed bore out Fromme's prophecy. "What's a sexual fantasy?" they would ask, or, "What do you mean by suggesting I have sexual fantasies? I love my husband!" or, "Who needs fantasy? My real sex life is great." Even the most sexually active women I knew, who wanted to be part of the research, would strain to understand and then shake their heads.

You are the first people to grow up in a world wallpapered with sex. Billboards, books, films, videos, TV, advertising, unrelentingly drill home that sex is a given, therefore good. How can you not be easier with sex? You've spent your lives in a culture that invented sex as a selling tool in the heyday of the sexual revolution. While the inventors themselves may have personally retreated to the asexual rules of their parents against which they once rebelled, we are the world's greatest consumer society and thus reluctant to abandon anything that sells. Discussing Men in Love in 1980, she told People magazine: "The major theme in men's sexual fantasies is the sexually aroused woman. It's still hard for most men to believe that women enjoy sex." My Secret Garden was greeted by a "salvo from the media accusing me of inventing the whole book, having made up all the fantasies"; My Mother/My Self was "initially ... violently rejected by both publishers and readers"; [9] while Women on Top "was heavily criticized for its graphic and sensational content." [16] Revolutions by nature lose ground once the initial momentum wanes. This is especially true of a struggle for women's sexual parity, which we fear. Child care and economic pressures are the givens for working women and those at home. There is only one other demand on time and energy, and it was never reconciled in the first place. Sex. Maybe there are just not enough hours in the day. Supporting oneself economically demands a lot of energy. So does a continued effort to retain a sexuality won late in life. And our thirties, twenties, even adolescence, is late. If something must be abandoned, it will be sexual freedom, with which we never felt comfortable (or we would have used the contraceptives that made our revolution possible). My contributors and I may form a special population: I am sufficiently fascinated by sexuality to write about it, and they to read my books and then write to me for reasons ranging from the desire for validation of their sexuality -- "I am signing my real name because I want you to know I exist!" -- to the exhibitionistic pleasure of seeing their words in print. But there can be no doubt that those who have written speak for a far larger population.

Not enough time has gone by in our recent struggles for us to want to abandon the myth of male supremacy. (How can I tell you how long it has taken me to abandon my own need to believe that men would take care of me, even as I grew to be a woman who was perfectly able to take care of herself economically and a man, too?) Critics have labeled Friday's books unscientific, because the author solicited responses", [16] thus potentially biasing the contributor pool. Part 1: Report from the Erotic InteriorIt's an odd time to be writing about sex. Not at all like the late 1960s and 1970s, when the air was charged with sexual curiosity, women's lives were changing at a rate of geometric progression, and the exploration of women's sexuality -- well, it ranked right up there with the struggle for economic equality.

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Like the X ray of a broken bone held up to the light, a fantasy reveals the healthy line of human sexual desire and shows where this conscious wish to feel sexual has been shattered by a fear so old and threatening as to be unconscious pressure. As children we feared that the sexual feeling would lose us the love of someone upon whom we depended for life itself; the guilt, planted early and deep, arose because we didn't want the forbidden sexual feeling to go away. Now it is fantasy's job to get us past the fear/guilt/anxiety. The characters and story lines we conjure up take what was most forbidden, and with the omnipotent power of the mind, make the forbidden work for us so that now, just for a moment, we may rise to orgasm and release.

While that bargain no longer works, the new options and definitions are not as deeply accepted. That requires generations. And without deep societal acceptance, how can mothers -- even those who fought for sexual freedom themselves -- pass on to their daughters these new ideas of what a woman may do and be? Mothers are the custodians of what is right and wrong; if society doesn't yet believe in sexual parity, how can mother be expected to put her daughter in jeopardy? Johnson, Sonia (2006), "Introduction to Sonia Johnson", in Foss, Karen A.; Foss, Sonja K.; Griffin, Cindy L. (eds.), Readings in feminist rhetorical theory, Long Grove, Illinois: Waveland Press, p.297, ISBN 9781577664970.urn:oclc:60977227 Scandate 20111115061205 Scanner scribe12.shenzhen.archive.org Scanningcenter shenzhen Worldcat (source edition) Today, we take a lot of sex-positive talk about women for granted. And, with a 21st-century eye, we might have hoped for Friday to have gone a little further in her delvings into female sexuality. Despite the judgment of Ms. magazine ("This woman is not a feminist"), [5] she predicated her career on the belief that feminism and the appreciation of men are not mutually exclusive concepts. [ citation needed] Literary motivation [ edit ]