stage engagement and low end support. Atmospheric effects are richly realized and seamlessly integrated. The top end is used more in support rather Edition: Interactive Menus\Other Documentary: 'Anatomy of a Scene: Matera', 'Keeping It Real: The Action of 'No Time to Die'', 'A Global Journey', 'Designing Bind' everything from action to intrigue with superior craftsmanship that builds a top-flight sort of 21st century big budget film experience. Audiences varied environments are likewise the beneficiaries of the image's elite clarity, from dense jungles to complex urban areas. Color reproduction is spot-on

It’s a film that really is a part of a whole – less so narratively, but much more so emotionally. And viewed as the finale to Craig’s tenure, it feels like a complete celebration of how Craig and Eon have managed to somehow update Bond for a modern time whilst retaining the more outlandish and frankly crowd-pleasing elements its audience requires. While some may have doubts about the choices the film makes in its final moments, they inarguably feel intrinsically true to Craig’s Bond and what he and Eon have strived to do from his very first moments in the role all those years ago. We get bruisingly efficient and grounded action sequences that here are intrinsically linked to the emotional beats of the film – there’s no wasted or flippant action excesses to pad out the run time or meet test audiences’ desires for blood and fire. We get some beautiful locations that are used as stunning canvases for these, from the Italian mountain town of Matera to the fog-shrouded forests of Langvann, Norway and onto the concrete beauty of the island lair in the Sea of Japan by way of the vibrant party town of Santiago de Cuba. And driving it all is Craig, bowing out from the role wonderfully with a huge amount of infectious charisma and driving energy. new Craig-era Bond, anyway, to the point that much of the film becomes new window dressing rather than revolutionary workmanship. But that'sBond has left active service. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help, leading Bond onto the trail of a mysterious villain armed with dangerous new technology. (less) The extras on this release are included on the 4K disc itself (there are no extras on the included 1080p Blu-ray) and are: as well, yielding intensely bright and brilliant primaries. Bond's blue eyes dazzle, blue skies and waters delight, natural greens are full and rich, and reenters service only to face off against a powerful new villain, Lyutsifer Safin (Rami Malek), whose agenda will push Bond's body and soul to its A fitting finale for Daniel Craig, not as good as Casino Royale or Skyfall but still plenty enjoyable.

all of the grittiness and teeth audiences have come to expect from the Daniel Craig franchise films. Universal's Blu-ray is likewise very good, yielding Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge.The trouble here is that Malek's Safin doesn't show up until mid-way through the three-hour film and even then, his disfigured face and zero motive to be the bad guy does nothing for the story. In fact, No Time To Die would have been leaps and bounds better without this character, due to there being no reason for his villainy or motive to destroy the world. Even the eye-rolling evil lair he stays in is something reminiscent of an Austin Powers gag and exists for no other reason than to exist and to look like a cool location for Bond to infiltrate.